‘She’, of course, is the new MV Agusta F3 675. In all
my years of riding motorbikes, I don’t think I have ever come across a bike
that I wanted to own so much but that I knew would break my heart in the blink
of an eye and would follow that up by breaking the rest of me. It’s not that it
is dangerous in any way, but its abilities make it so aloof and proud - as any
good Italian machine should be - that it would sneer at my ineptitude and
clumsy handling and probably just refuse to start.
It is in every sense like a thoroughbred horse; not
something that just anyone can mount and ride perfectly straight off. No, you
have to work at this one to get the best out of it; you have to learn its
idiosyncrasies and work around and with them. Get it right and it is the most
rewarding experience – get it wrong and it will rebel against you and, in all
likelihood, go off in a sulk.
What is it about Italian machines that provoke this sort of
reaction? Actually, let’s be more accurate; what is it about MV Agusta that
provokes this reaction? They have always been out of reach to mere mortals and
have carried an impenetrable air of mystique. They are, after all, just a
collection of different metals, nuts and bolts and plastics but there is that
indefinable something about them that lifts them above other motorcycles.
Motorcycling is an emotional business. We buy bikes based
purely on heart rather than entertaining what the head says. Of course it all
comes down to personal preference but, in general there are some bikes that
make the heart beat a little faster than others, no matter what your riding
preference. We buy motorcycles because of what they make us feel - ‘cars
transport the body; motorbikes transport the soul.’
Such a bike is the MV F3. I used to own an early 350cc MV,
many years’ back and, even then, the name was something magic. Of course that
bike was a long way from the amazingly exotic and expensive 750S America but it
just had that indefinable something that all Italian machinery seems to
possess. It was a relief to see that, with their return to motorcycle
manufacture, MV didn’t lose the ability to amaze.
I was first given the chance to ride the F3 in the middle of
Pretoria. The sick and twisted mind that dreamt up this was in front of me in a
car whilst his cameraman filmed me from the back of the bakkie. I was there to
film the bike for the Bike Show and it wasn’t pleasant. The bike was getting
hot and so was I with the hot air vented right into the thigh area. Sweaty
bollocks time!
The fuelling at low speed was terrible and you needed a
fistful of throttle and slipped clutch to get off the line. Once moving, the
throttle was like a light switch at town speeds, with the result that progress
was not the smoothest. Like any performance bike, town riding was a series of
violent accelerations followed immediately by hard braking.
But on the MV that didn’t matter as the sound was just
incredible (any exhaust system that looks this good just has to sound
brilliant). The engine may share architecture with the Triumph triple, but the
layout is as far as the similarities go. This is like a Triumph engine on
steroids; snarling, biting; it barks, it grumbles and finally it shrieks, all
with a brutally hard edge to it. In the old days they used to say it sounded
like the tearing of calico (a type of cotton cloth). Now I’ve never heard
tearing calico, but if this is what it sounds like, then I’m off to buy some
and rip it up!
Then I had the chance to get out onto the open road and it
started making a bit more sense; it just wanted to clear its throat and let
rip. And boy, when it lets rip, it goes. Maybe it’s the sound that does it more
than anything but it certainly doesn’t hang around.
Esteemed colleagues who had the chance to take it round a
track said the handling was simply brilliant. On the road there was no chance
to verify that, but what you can say is that the ride is pretty unforgiving and
the seat might as well be made from a plank of wood for all the give it has.
I had been riding the Suzuki GSX-R1000 up to that point and
thought that it was pretty hard and focussed but when I climbed back onto it to
ride back from Pretoria to Jo’burg, it was like riding a big, soft couch.
But, I love the fact that it takes a little concentration to
ride; it’s refreshing to get on a bike that needs thought and effort and not be
so perfectly docile that anyone can ride it. Because it makes no bones about
what it is – a thinly disguised track bike - you can forgive it everything and,
to the experienced rider with ability in spades, it would be more rewarding
than a night with Pamela Anderson.
Look, the thing is flawed; I’ve spoken already about most of
the problems and to add to that, the switchgear looks like it came from a
discount electrical store. But none of that matters; it’s an MV and that’s
enough to make you forgive it everything.
Ah, yes, I hear you say; but it must cost a fortune. Well,
actually no! It’s only about 10-15% more than its rivals and when you look at
what you get – exclusivity, looks, amazing chassis, full electronics package,
sound and that name - it’s a bargain.
How can I convey my feelings about this bike; even though I
will never be able to extract more than a few per cent of its abilities I would
have it over any other bike I have ridden. So what if it’s even more
impractical than an already ridiculous sports bike? As an exercise in making
you look the other way, blind to its faults, this is damn near unbeatable.
The point about this bike is not how fast it is or how
amazing round a track; it is all about how it makes you feel; the emotions it
stirs. They are so strong that I would find it impossible to resist if I was in
the market for a middleweight bike.
Even if it was flawed in the dynamics department, even if it
wasn’t that fast (which, let’s face it is pretty academic unless you are trying
to win races) it wouldn’t matter. It’s an MV Agusta and there is nothing finer
in life than that.
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